It was at this point that I decided to kill him. After all, would the world really miss this fatuous little suppository, with his preening self-confidence and emetic cuteness? At first I thought of trampling the bespectacled vontz, but I felt that to do the job properly I’d need about two hundred more head to really stomp him good. There were no rocky cliffs where I could brush against the wretch with a little hip action and send him plummeting. Then it hit me. A nature walk had been mentioned, and all were anxious to participate. All, that is, except for a certain cringing homunculus, who carried on like Duse over the prospect of being in the woods among Lyme ticks and poison oak. He chose to remain in his room and make phone calls to check on the grosses of his new movie, which Variety had said would have limited appeal and suggested should open in Atlantis. My plan was to enter the house, sneak up on him from behind, and strangle the nattering little carbuncle with a sash. With everyone away, it would appear to the police to be the work of a drifter. The thought occurred to plant a fingerprint belonging to Dropkin, the handyman who once gave the Pudnicks one of those diagrams showing the outline of a body like mine and where the best cuts of meat come from.
Woody Allen inhabits the mind and motivations of a homicidal bovine in a new story, Udder Madness, for The New Yorker.



